A year inside a Lisbon hospital's overnight cleaning crew. Premiered at IDFA, distributed in 14 territories. Shot almost entirely handheld between 11pm and 6am.

Three generations of a family running the last commercial salt pans in the Algarve. Won Best Cinematography at DocLisboa.

Air traffic controllers during the first months of the pandemic, when the sky emptied. Made for under €9,000.

Marble extraction in Estremoz, and what happens to a town when the stone runs out.

A single shift on a long-haul fishing boat, told in near real time.

Develop, direct and shoot my own feature documentaries.
Four features and three shorts to date, financed through a mix of national film institute grants, broadcaster pre-sales and co-production.

Shot for other directors across documentary and branded work — roughly thirty projects.
Two of them taught me more than film school did.

Loading, pulling focus, carrying things up hills. The standard apprenticeship.